Cover Meet Aradhita Parasrampuria, the visionary young designer reshaping fashion with sustainability (Photo: The Swarovski Foundation)

Meet Aradhita Parasrampuria, the visionary young designer who is reshaping fashion with innovative sustainability

“Each year, 40 billion pieces of fashion jewellery and 20 billion embellished garments are produced and worn only five times on average before being discarded,” says Aradhita Parasrampuria, the Gujarat-born designer-turned-entrepreneur who witnessed firsthand the negative impacts of the textile industry.

“Most affected by the global production of beaded garments are the workers involved, including 200,000 children in India, who suffer from asthma, loss of eyesight, and even cancer due to the toxic materials and dyes used,” she shares, adding that the hundreds of billions of beads introduced into the environment by this waste often cannot be recycled because of their small size and composition, persisting as microplastics, affecting both ecosystems and workers.

“A complete reimagining of the materiality and processes of embellishments is required,” she says.

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Parasrampuria’s journey from Gujarat to New York has been as complex as it is inspiring, blending her background in textiles with an innovative approach to sustainable design.

“I grew up in Gujarat, one of the major textile production hubs of the world,” she says. It was there, working in textile factories, that she first observed the “socioeconomic and environmental repercussions of synthetic dyes,” where polluted fresh water and exposure to toxins led to diseases like cancer and asthma among workers.

The turning point was when I returned to Gujarat during my freshman year to work in a textile factory. Witnessing the environmental degradation and health issues firsthand was jarring. It made me realise that my passion for design needed to align with a purpose greater than aesthetics.

- Aradhita Parasrampuria -

“The turning point was when I returned to Gujarat during my freshman year to work in a textile factory. Witnessing the environmental degradation and health issues firsthand was jarring. It made me realise that my passion for design needed to align with a purpose greater than aesthetics.”

Parasrampuria was inspired to enter the fashion industry by these terrifying realities, but she soon discovered that the pre-existing notion of “ethical fashion” was misleading.

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NEW YORK, NEW YORK - SEPTEMBER 13: attends Swarovski Foundation 10th Anniversary and Creatives For Our Future Reception at United Nations on September 13, 2023 in New York City. (Photo by Dave Kotinsky/Getty Images for the Swarovski Foundation)
Above Swarovski Foundation 10th Anniversary and Creatives For Our Future reception at United Nations on September 13, 2023 in New York City (Photo by Dave Kotinsky/Getty Images for the Swarovski Foundation)
NEW YORK, NEW YORK - SEPTEMBER 13: attends Swarovski Foundation 10th Anniversary and Creatives For Our Future Reception at United Nations on September 13, 2023 in New York City. (Photo by Dave Kotinsky/Getty Images for the Swarovski Foundation)

“There was a major disconnect between design and production,” she explains. Even seemingly eco-friendly materials, such as bamboo and natural dyes, can have serious consequences for the environment.

After coming to this realisation, Parasrampuria changed her focus to material science and biotechnology to find “solutions that were both genuinely sustainable and scalable.”

Through her work, she engineered BS1 bacteria to produce vibrant dyes and even incorporated Green Fluorescent Protein (GFP) to create naturally bioluminescent materials. Her painstaking efforts paid off and soon, she was able to convince players in the fashion industry that sustainable fashion could also be visually compelling.

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Parasrampuria’s creations have been showcased in New York Fashion Week and Vogue. In 2023, she was featured under Forbes 30 under 30 India, also gaining attention from over 25 design companies before even hitting the market.

In 2023, she was selected as the winner of the Swarovski Foundation’s Creatives for Our Future programme, gaining invaluable guidance and assistance to bridge the gap between science and design in innovative ways as she prepared to launch her bio-materials company, Cellsense.

However, bridging these worlds was no easy feat. “Bridging science and design without a formal background in biotechnology was daunting,” she recalls. “I recognised the urgent need for sustainable materials but felt ill-equipped to create them. I sought knowledge wherever I could—attending courses, engaging with scientists, and ultimately finding a home at Genspace, a community biology lab in Brooklyn.”

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There, she conducted over 130 experiments, ultimately developing a proprietary formula that transformed algae and cellulose into durable, compostable 3D bio-embellishments.

“Conventional embellishments are predominantly produced utilising petroleum plastics and resins and then assembled by hand into garments. These cannot be recycled, and upon disposal will persist for over 200 years,” Parasrampuria explains. “By contrast, our embellishments decompose in just four weeks in a microbe-rich environment such as a home compost. All additives used are benign, and there are no risks from improper disposal.”

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Above Parasrampuria engineered BS1 bacteria to produce vibrant dyes and incorporated green fluorescent protein (GFP) to create naturally bioluminescent materials (Photo: Swarovski Foundation)
Tatler Asia
Above Parasrampuria engineered BS1 bacteria to produce vibrant dyes and incorporated green fluorescent protein (GFP) to create naturally bioluminescent materials (Photo: Swarovski Foundation)

Though critics questioned the practicality of combining biotech and fashion, Parasrampuria took this as an opportunity, collaborating with a mechanical engineer to design automated processes producing individual beads and beaded fabrics. “This journey taught me that true leadership involves embracing interdisciplinary approaches and being unafraid to challenge established norms,” she says.

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To date, Parasrampuria has been able to take her designs out of the lab and into the real world through collaborations with sustainable jewellery manufacturers like Roma Narsinghani and fashion designers like Ian Allen Greer as well as NPOMME.

She has worked closely with Roma, going through three rounds of iteration until the material achieved the perfect balance of colour, stability, and finish. The collaboration was a success, worn by Indian celebrities and covered by prominent publications including The Hindu, India Times and Grazia India. “Roma has reordered embellishments from Cellsense over six times since the initial pilot,” Parasrampuria proudly adds.

Alongside her lab work, Parasrampuria has led advanced manufacturing processes, incorporating 3D-printed hydrophobic moulds and robotic syringes to deposit embellishments directly onto textiles. This innovation not only reduces labour but also makes the process “20 times faster and 70 per cent more cost-efficient than traditional methods,” making her bio-embellishments both competitive and viable for mass production.

Reflecting on her journey, Parasrampuria emphasises the importance of resilience.

“I failed over 500 times while engineering bacterial dyes,” she says. “These experiences humbled me and shaped my leadership style. I learned the importance of patience, resilience, and leading with compassion. I encourage my team to view failures not as endpoints but as steps toward innovation.” 

I failed over 500 times while engineering bacterial dyes.

- Aradhita Parasrampuria -

Looking forward, Parasrampuria aims to expand her reach within the fashion industry and explore applications beyond it. Her ultimate vision is to inspire future generations to align their careers with their values.

“I aspire to influence future generations to prioritise environmental and social responsibility in their endeavours, fostering a more conscious and compassionate world,” she says. “Mentorship has been transformative in my journey. Meeting Mimma Viglezio through the Swarovski Foundation’s Creatives for Our Future programme was particularly impactful. Her guidance on securing intellectual property and strategic positioning of my brand was invaluable. Most importantly, she taught me the power of empowering others by giving them agency and ownership.”

“This philosophy shapes how I lead my team. I strive to understand each member’s ambitions, respect their input, and entrust them with meaningful projects. This approach fosters an environment where everyone feels invested and proud of their contributions. To pay it forward, I co-founded the Biomaterials Club at Genspace. We support designers venturing into biomaterials, helping them navigate the complexities of lab work and project development. Sharing knowledge and fostering community is my way of extending the mentorship I benefited from.” 

Front & Female Changemakers celebrates the extraordinary journeys of inspiring women who have emerged as powerful changemakers in a range of fields, offering a glimpse into their lives and showcasing their courage, vision and relentless pursuit of change and progress. From social entrepreneurs and business leaders to educators, artists, activists and scientists, Front & Female changemakers exemplify the ability to challenge the status quo and demonstrate the power of women to effect change

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