A linear composition displaying the X-Line Chair's new colour palette
Cover A linear composition displaying Hay’s X-Line Chair’s new colour palette
A linear composition displaying the X-Line Chair's new colour palette

Minimalist 1970s wire chair gets sustainable revival from Danish design brand Hay

In an era of disposable design, Hay is bringing back a triumph of Danish engineering. The X-Line Chair, created by Niels Jørgen Haugesen in the late 1970s, exemplifies high-tech design at its most refined.

With its distinctive wire frame and industrial aesthetic, the chair represents a pivotal moment in Danish design history. Created during a period of uncertainty following the country’s celebrated Golden Age of furniture design, the X-Line Chair showcased Danish innovation and engineering prowess.

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X-Line Chairs in a fresh green colourway
Above X-Line Chairs in a fresh green colourway
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The X-Line features precise geometric construction and perforated metal seat.
Above The X-Line features precise geometric construction and perforated metal seat.
X-Line Chairs in a fresh green colourway
The X-Line features precise geometric construction and perforated metal seat.

“The X-Line Chair is one of the few high-tech objects that came out of Denmark,” said Rolf Hay, co-founder of HAY. “But in many ways, it’s one of the most intelligent designs to come out of our country. So minimal and so well-thought.”

Haugesen, who cut his teeth working alongside the legendary Arne Jacobsen in the 1960s, embraced an engineering-based approach that was radical for its time. The chair’s signature X-structure, achieved through high-precision steel construction, delivers strength and flexibility while maintaining a remarkably lightweight profile.

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The perforated mesh seats highlight the manufacturing precision and minimal material use.
Above The perforated mesh seats highlight the manufacturing precision and minimal material use.
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The X-Line chairs are highly stackable
Above The X-Line chairs are highly stackable
The perforated mesh seats highlight the manufacturing precision and minimal material use.
The X-Line chairs are highly stackable

The revival comes at a time when sustainability in design has never been more crucial. “The challenge, whether we like it or not, is that we need to design objects using less material because we have less of everything,” Hay noted, highlighting the minimal material usage and low carbon footprint.

Hay, which acquired Magnus Olesen’s distribution and production rights, is introducing the chair in new finishes and colours. The updated collection includes variants suitable for indoor and outdoor use, complemented by cushions and leather seat pads for added comfort.

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The minimalist X-Line Chairs complement the modernist interior
Above The minimalist X-Line Chairs complement the modernist interior
The minimalist X-Line Chairs complement the modernist interior

The relaunch aligns with Hay’s mission of democratising high-quality design. Through efficient production methods, the company aims to offer this Danish classic at an accessible price point, making it available to a broader audience while maintaining its original design integrity.

In an era where sustainability meets functionality, the X-Line Chair’s transparent construction and minimal use of materials feel remarkably contemporary.

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The chairs have a distinctive X-structure
Above The chairs have a distinctive X-structure
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A close-up of three chairs in green and blue finishes
Above A close-up of three chairs in green and blue finishes
The chairs have a distinctive X-structure
A close-up of three chairs in green and blue finishes

The X-Line’s return to production represents more than just a reissue of a classic design. It bridges Denmark’s rich design heritage with contemporary concerns about sustainability and accessibility in furniture design, proving that good design truly is timeless.

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