Marking the milestone of ten years for Carbone Hong Kong, Tatler caught up with Mario Carbone and Black Sheep Restaurants founder Syed Asim Hussain to reflect on growth, storytelling through food and a decade of masochistic pursuits
Ten years ago, the three of us—Black Sheep Restaurants founder Syed Asim Hussain, New York chef and restaurateur Mario Carbone and me—sat on one of the maroon banquettes in Carbone Hong Kong. Much of the restaurant was still a construction site, just weeks from its grand opening.
At the time, Carbone was a year into running his eponymous restaurant on Thompson Street in New York’s Greenwich Village; it has since become a celebrity hotspot and one of the hardest tables to book in Manhattan. Hussain, who had just four restaurants under his belt then, now operates more than 35 and is on the brink of taking the Black Sheep brand global.
Last November, we found ourselves in conversation again, in the same space—older and ever so slightly wiser; except this time, it was days away from Carbone Hong Kong’s tenth anniversary. “Ten years is not nothing,” says Hussain, “especially in cities like Hong Kong and New York, cities that are obsessed with newness. So this is a legacy that I’m very proud of.”
In those ten years, Carbone Hong Kong has become what Hussain describes as a “phenomenon”; a place of unashamed opulence where neanderthal-sized cuts of spectacular-quality meat are served, Caesar salad is made tableside with warm garlic bread croutons, two types of anchovies and three types of cheese, and animated staff break into song multiple times per night—so much so that if you visit enough, you too will know the lyrics to Tanti Auguri, the Italian version of Happy Birthday, off by heart.
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“I love that [our guests] have become part of our memories, and that their memories have become a part of the world we’ve created,” says Hussain. “When I first read about Carbone in New York, I loved that a chef was doing something that wasn’t just about what was on the plate—it was about all the elements that go into a brilliant dining experience.”
Carbone chimes in, “For us, it’s not interesting to just feed people. That’s not why we do what we do and it doesn’t provide us enough gratification to keep going. The drug of choice here is a masochistic one, which is in the details; the theatre of it all.”
Hussain agrees, saying, “There are fleeting moments when everything makes sense. The lighting is beautiful, all the elements come together, the maître d’s in a good mood, the song’s right, the food looks phenomenal … and this is why we’re masochists, because it happens in a fleeting manner. You can’t catch it or hold it in your hand. But we live for these moments.”
“At Carbone, you’re not just going out for dinner; it’s a night out,” says Carbone. “We set the stage, we have our cast, our wardrobe, we perform at the same time every night for a different audience. We want to tell a story.”